• Linda Connor:
    Earth and Sky

    April 14 - May 11, 2024
     

     “Above all, I’m interested in the power of imagery — in how a medium as factual as photography can evoke responses on the border between the world we know, and the one we can’t.” 

     

    Haines Gallery proudly presents Earth and Sky, a solo exhibition highlighting seminal images from Linda Connor's distinguished practice, reproduced as luminous sublimation prints on aluminum. 

     

    Throughout her career, Connor has traveled extensively with her 8x10 view camera, investigating remote landscapes and the sacred and spiritual worlds across multiple continents. Her peripatetic approach to photo-graphy demonstrates a longstanding interest in the relationship between systems of belief and the natural landscape, resulting in profound images of wide-ranging subjects. 

    • Linda Connor Rock Formation, Zanskar River, Ladakh, India, 2022 Sublimation on Aluminum 20 x 16 inches
      Linda Connor
      Rock Formation, Zanskar River, Ladakh, India, 2022
      Sublimation on Aluminum
      20 x 16 inches
      $9,000
    • Linda Connor Once The Ocean Floor, Series #216, Ladakh, India, 2013 Sublimation on Aluminum 30 x 24 inches
      Linda Connor
      Once The Ocean Floor, Series #216, Ladakh, India, 2013
      Sublimation on Aluminum
      30 x 24 inches
      $15,000
  • Bridging the terrestrial and the celestial, Earth and Sky includes images from Connor’s ongoing series Once the Ocean Floor, which depicts the intricately jagged cliff faces in Nepal and the mountainous Ladakh region in Northern India — carved over millennia by the power of nature, as well as iconic images of the cosmos. 

  • Linda Connor July 26, 1895 Sublimation on Aluminum 16 x 20 inches $9,000
    Linda Connor
    July 26, 1895
    Sublimation on Aluminum
    16 x 20 inches
    $9,000
  • If photographers are soul-stealers, whose soul is being
    stolen in the photograph of the night sky?
    The eyes of the last one to go to bed and the eyes
    of the first one to rise, perhaps?
  • Linda Connor Lunar Eclipse, September 3, 1895 Sublimation on Aluminum 30 x 24 inches $15,000
    Linda Connor
    Lunar Eclipse, September 3, 1895
    Sublimation on Aluminum
    30 x 24 inches
    $15,000
  • In 1995, Connor began printing with the historic glass plate negatives in the archives of California’s Lick Observatory, located at Mt. Hamilton just east of San Jose. Numbering in the thousands, the Lick Observatory has one of the most extensive collections of glass plate negatives, most of which have not been used to make prints since their original production in the late 19th century. In both cases, time — the latent subject of every photograph — moves both backward and forward, as we traverse its geological and astronomical aspects in order to locate ourselves within a universe defined solely by flux. 

    • Linda Connor June 14, 1899 Sublimation on Aluminum 11 x 14 inches
      Linda Connor
      June 14, 1899
      Sublimation on Aluminum
      11 x 14 inches
      $6,000
    • Linda Connor Once The Ocean Floor, Series #97, Ladakh, India, 2018 Sublimation on Aluminum 24 x 30 inches
      Linda Connor
      Once The Ocean Floor, Series #97, Ladakh, India, 2018
      Sublimation on Aluminum
      24 x 30 inches
      $15,000
  • Photography is a black art like alchemy. It turns
    matter into spirit and spirit into matter.
    Still, there are moments when we have a hunch what
    the word soul means, what the word infinity encompasses.
  • In Connor's hands, the camera is not an instrument of precise control; instead, she leaves her process open to unknown possibilities. She usually makes unmetered exposures and has a proclivity for photographing in uncontrollable situations. What results are contemplative, quietly powerful images invoke a sense of timelessness and invite us to contemplate our place in the world, and emphasize the ethereal, diffused light so signature to her imagery. 


  • Linda Connor, b. 1944 | Lives and works in San Francisco, CA
    Photo: Vicki Topaz

    Linda Connor

    b. 1944 | Lives and works in San Francisco, CA

    Linda Connor has had solo exhibitions at the de Young Museum, San Francisco, CA; San Francisco Museum of Modern Art, CA; Museum of Fine Arts, Houston, TX; George Eastman Museum, Rochester, NY; Smithsonian American Art Museum, Washington, D.C; The Corcoran Gallery of Art, Washington, D.C; and the Museum of Contemporary Photography, Chicago, IL. Her work can be found in the collections of distinguished institutions including the Museum of Modern Art, New York, NY; J. Paul Getty Museum, Los Angeles, CA; Museum of Fine Arts, Houston, TX; National Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art, CA; Minneapolis Institute of Arts, MN; and the Victoria & Albert Museum, London, U.K.  Connor is the recipient of, among other awards, the National Endowment for the Arts grant (1994, 1988, 1976), a Guggenheim Fellowship (1979) and the Flintridge Foundation Award for Visual Arts (2001-02).  Her work has been the subject of several monographs including: On the Music of the Spheres (Library Fellows of the Whitney Museum of American Art, 1996); Luminance (Woodrose, 1994); and Spiral Journey (Columbia College, 1990); Odyssey: The Photographs of Linda Connor (Chronicle Books, 2008); and Constellations (Datz Press, 2021),

  • Poems by Charles Simic
    Installation photography: Robert Divers Herrick

    Images from the Lick Observatory series courtesy of the Lick Observatory Historical Collections Project, copyright Regents of the University of California