• Japanese, b. 1957 Lives and works in Tokyo, Japan Tokihiro Sato is widely recognized as one of Japan’s most accomplished...

    Japanese, b. 1957

    Lives and works in Tokyo, Japan

     

    Tokihiro Sato is widely recognized as one of Japan’s most accomplished and well respected artists working in the photographic medium. Originally trained as a sculptor, he turned to photography in the late 1980s to explore his ideas with regard to light and space. His fascination with tempo­rality is directly seen in his “breath graphs” or “photo respi­ration,” where tiny points of light or illuminated lines record his movements through space. Using an 8 x 10-inch cam­era fitted with a darkening filter, Sato’s lengthy exposures – lasting from one to three hours – provide the opportunity for him to occupy the landscape. When shooting in daylight, he flashes a mirror at the sun, reflecting its light into the camera lens. For nocturnal or interior views he “draws” with a small flashlight. The result¬ing photographs exquisitely depict detailed scenes punctu¬ated by tiny pinpoints of light that track Sato’s movement, but not his physical form.
     
    Tokihiro Sato was born in 1957 in Sakata, Yamagata Pre¬fecture, in northern Honshu, Japan. He earned de­grees in Sculpture from the Tokyo National University of Fine Arts and Music, where he now works as a professor. His work is held in nu¬merous public and private collec­tions, including the Solomon R. Guggenheim Museum, New York; Museum of Fine Arts, Houston; Art Institute of Chicago; Los Angeles County Museum of Art; Cleveland Museum of Art and Hara Museum of Art, Tokyo. Over the past decade, his work has been showcased in solo exhibi­tions at institutions such as the Cleveland Museum of Art, Art Institute of Chicago and Frist Center for Visual Arts in Nashville.
     
  • Works
    • Tokihiro Sato #356 Palm, 1997 Black and white transparency over lightbox Lightbox: 22 x 26 inches
      Tokihiro Sato
      #356 Palm, 1997
      Black and white transparency over lightbox
      Lightbox: 22 x 26 inches
    • Tokihiro Sato #381 Domi-muma, 1999 Gelatin Silver Print 21 x 25 inches, framed
      Tokihiro Sato
      #381 Domi-muma, 1999
      Gelatin Silver Print
      21 x 25 inches, framed
    • Tokihiro Sato Yura #339, 2001 Black and white transparency over lightbox Lightbox: 22 x 26 inches
      Tokihiro Sato
      Yura #339, 2001
      Black and white transparency over lightbox
      Lightbox: 22 x 26 inches
    • Tokihiro Sato #60, 1990 Gelatin Silver Print 21 x 25 inches, framed
      Tokihiro Sato
      #60, 1990
      Gelatin Silver Print
      21 x 25 inches, framed
  • Exhibitions
  • Press
  • Henri Robert, "Talihiro Sato, Shedding Light on an Invisible Presence," Pen, February 7, 2021

    John L. Tran, “The Scope of Cultural Displacement,” The Japan TimesJune 27, 2017

    Harshini Vakkalanka, "The Guiding Light," The Hindu, May 6, 2013

    Joe Nolan, "Photographer Tokihiro Sato Plays With Light and Perspective to Capture a Fresh Vision of the World Around Us," Nashville Scene, July 29, 2010

    "Tokihiro Sato: Trees," Asiart Archive in America, March 25, 2010

    "Tokihiro Sato," Above Magazine, March 2010